Naked performance art at 6:35 in “Frequenz 14: Elektronengeister”
5525Frequenz 14: Elektronengeister
Original was uploaded on 2022-03-30
Ambient/experimental electronic music by Eigenfrequenz. Video features dancer & model Kayleigh Lush. For more see Vimeo (http://vimeo.com/eigenfrequenz), Facebook (http://facebook.com/eigenfrequenz), Soundcloud (http://soundcloud.com/eigenfrequenzuk) or Bandcamp (http://eigenfrequenz.bandcamp.com).
Main equipment used on this track: Yamaha E1010 analogue delay, Roland Juno-60, Gibson Les Paul Standard, Epiphone EB3. This track is a soundscape created from analogue delay feedback and guitar.
About Eigenfrequenz:
Eigenfrequenz creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle.
Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional ‘music video’.
Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Ace Tone Top 8 (1968), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3
Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)
Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder — no MIDI, no plugins)
